Friday, 31 December 2010
Thursday, 30 December 2010
After these we saw some costume designs before some real surprises were shown to us. We saw and oscar that had been donated, the actual hook used in the film Hook and to finish with they showed us one of the model Gremlins used in the films.
After we saw these were entered the next room where there was reels upon reels of film. After these though was the real treat from the archives, which was all the cameras used in years gone by. The guides told us that there wasn’t a camera in there from post 1960’s.
When we arrived at the worlds oldest large scale studio Babelsberg we were greated by our guide and given a bit of information about the studio itself. It has been producing films and working as studio space since 1912. It has been the set for huge films such as Metropolis, Inglorious Bastards, Valkyrie and The Bourne Ultimatum. It offers services such as a replica Boeing plane with removable walls and cockpit as well as the worlds larges indoor water tank.
After we met our guide she took us to see all the separate areas of the studio. The studio is vast and the size of a town itself. Even the streets were names after famous directors and producers. We started by looking around the prop houses. It when you see all these behind the scenes workings you can truly respect the amount of work that goes into these huge productions. These prop houses were unbelievable, I have never seen anything like it. There was row after row of catalogued objects that could create or recreate any scenario you could think of. I couldn’t believe the work went into making the scenes.
After this we were shown the costume department and the rows upon rows of clothes and costumes such as military outfits all the way to cabaret. After spending our time trying some costumes on and looking through the vast collection we entered a room with the famous costumes in that the celebrities had worn. We saw costumes from Inglorious Basterds and Jude Law’s outfit from Enemy At The Gates. From here we went on to see the carpentry department and the plastering departments that created everything from huge ships to the mask used in V For Vendetta.
The last 2 areas we saw were the most impressive. First we went into the second of the 3 large filming studios where there was the some of the set left from the filming of The 3 Musketeers that had taken place there the week previous. This was by far the best part of the whole trip to Berlin! I cannot go into much detail as to what was inside the studio until the film is released as we said we would not reveal details but the set we got to walk around was unbelievable and the fact they had built it all from scratch. After seeing the rest of the studio I think I could finally understand what effort had gone into building it.
The last section we saw was at the other side of the studio and was a complete street that had been created on the side of huge containers that were stacked over 3 stories high. The street resembled a typical street and could be changed to directors wishes. It had been used in films such as Inglorious Basterds and the Pioanist.
All of this made me think of earlier in the year when I really wanted to get involved with film. Looking around all these separate warehouses showed that there are many areas in which you could get into the film industry. This just shows the amount of opportunities this studio has as well as showing the true scale of the place. I could be quite easy to get lost in the huge teams working together to create these scenarios but that is what this studio is all about. Everyone, every department are working with all the others to create one final outcome.
I am so happy I got the opportunity to see this studio. I made me think a lot of where I wanted to end up as it brought back thoughts of wanting to go into the film industry. The whole studio was fascinating but when I sit back and look I realised thatyet again it would be easy to get lost in the movie business and end up just doing the same thing over and over. I want to work on projects that I can see through until the end as well as working on the ideas rather than just being a production boy. This is the reason why I feel I would be best suited going into the advertising industry.
Saturday, 18 December 2010
Tuesday, 14 December 2010
Thursday, 9 December 2010
Wednesday, 8 December 2010
The Neighbourhood Showreel 2010
After ringing the project manager Sarah Baker last week myself and 2 others went on a portfolio yesterday morning to The Neighbourhood's new design studio. After turning up at their new Lever Street Studio I instantly loved the new place they had just got for themselves. The building itself is fantastic as it has been modernised but still keeping some of the traditional elements of the build. When walking in the studio we were greeted by one of the designers and we sat in their waiting area while the creative director Jon Humphreys had finished in a meeting. From here we could see the studio and the fact they had just moved in the week previous as there were pictures ready to be hung and boxes to be sorted. Even though they had only been there a week they had already made the space their own by adding traditional furniture and creating a coffee table out of old books. This is one of the best studios I have been to as it felt like The Neighbourhood had a home. Some of the other studios I have visited have been quite empty and almost office-like, where as this you could tell they are a design company and they wanted to express that.
After a few minutes we saw the meeting room empty and Sarah (project manager), Jon (creative director) and Stewart (animator, designer and 3D enthusiast) come across to great us and introduce themselves. We then followed them into their new meeting room and sat around their huge traditional dining table. After looking up and seeing all along the wall the awards they had won from various competitions I knew I was in one manchester best design studios. We spoke to the 3 designers about our course and what it was we actually do. They were very interested in what we had to say and where we saw ourselves in the future. They asked where abouts in the country we saw ourselves heading after the course had finished and after we all showed interest of staying up north and hopefully at a design studio around this area they explained that that is where a lot of the business is moving and that we should definitely check out around here before venturing south.
You could tell that the designers liked how we spoke of our work and how we presented them our work. They expected us to take along disks and to use their Tv to show the work but when we said we had brought our laptops to show them our work I think they could tell we were making an effort to show what we were all about as individuals. After the others had shown their work we had a conversation with Jon about how we had recently produced showreels to show the work we had been producing over the last few years. He explained how they can sometimes do more harm that good and that it was important the amount of content you put in as you don't want them to seem repetitive and that a designer only does one way of working. After this Sarah, Stewart and John all looked towards me and I decided that I was still going to show my showreel I had produced. I am glad I did, they were all impressed by it and Jon mentioned he liked the fact I showed my working methods in there as well as my work. After this I showed them my Big draw ident and making of to explain how I put it together and the effort I went through to get the results I did. Also I wanted to show I could do a range of work from Maya to stop-motion. After this is explained the ideas behind ad showed my title sequence which I think went down well.
To finish with they showed us a piece of their work that Stewart had recently made 3D post-production. We all got handed the 3D glasses and were shown how the design world is changing and how ahead of the game The Neighbourhood were. They have been ready for some time for these types of jobs to come around and produce work of which I have never seen before. Stewart explained that making a piece 3D is something else he has just put in his toolbox much like other techniques such as using depth of field. After this we left as we had already taken up plenty of their time and they have deadlines to meet. It was a fantastic studio to visit and I hope one day I can work in a place just like it. The people were friendly, talented and just as passionate about the subject as I am which, is what I want when I leave. This is definitely a studio I will keep in touch with as I think they will be a great contact for the future and hopefully I will be able to go back again sometime.
Wednesday, 24 November 2010
Tuesday, 23 November 2010
Monday, 22 November 2010
Monday, 8 November 2010
Saturday, 6 November 2010
Wednesday, 3 November 2010
Tuesday, 2 November 2010
Thursday, 28 October 2010
This Audio R8 ad is one of the main influences I had for my warehouse I built it in Maya for my Nexus piece.
The piece was shot in Londons ExCel and features over 22 hotrod cars dancing around the spae with the R8 working its way through. It is meant show the poise and agility. One of the best bits about this piece of work is that it shows how you can still make a great modern TV ad without all the CGI effects.
Thursday, 21 October 2010
"Did the water just make a letter?"
One thing I really like about this piece and other pieces made in a similar way is the way there is a big reveal at the end. In my early research I was playing with the idea of having a big reveal. The soundtrack is also where I discovered the Band / Artists Monolake that features in my in my research into my final piece Nexus.
This is a collection of 3 stings made for IRU.TV which would be aired between programs. I like the minimal colour palletes. The close camera angles used in the first part make the object seem huge which I like. Having the camera that close to the compositions allows the audience the see every movement. I also like the composition of the piece with the light entering the rings orbiting the planet. The light really draws focus really well which leaves the audience wondering whats going to happen to it. I also like the tempo change and how the sounds emphasis the movements within the piece. The silence at the end of each piece brings everything back together.
This is a piece by WIP I found recently and I loved the way it was done. I love how the animation seems like your looking under a scope. I like how it looks negative with the white glow around the piece. The whole piece pulses and moves showing how the whole setting is living and changing. There is a nice depth of field used making the objects seem really large in the piece where they are actually minute. It also helps create good focus withing the piece, drawing the eye around the composition.